Sunday, December 30, 2012
'90s Industrial Metal at Its Best
'90s Industrial Metal at Its Best: Originating in the late 1980s in Europe and the United States, industrial metal grew from a variety of musical genres, most notably, dance music, noise rock, and heavy metal. Because of this diversity, many industrial metal bands, including Nine Inch Nails (NIN) and Marilyn Manson, have incorporated not only keyboards and synthesizers, but also drum machines and electronic sequencers. Perhaps one of the genre's nearest relatives was '80s synthpop, which included groups like Depeche Mode, Tears for Fears, and Gary Numan. These '80s synthpop bands elevated the importance of synthesizers, and as a result, essentially laid the groundwork for industrial metal to solidify as a musical genre in its own right. Yet it was also the genre's dark sounds and anger-inducing lyrics that began to set it apart from other emerging genres like alternative rock in the 1990s. The above video by NIN, which was filmed at 10050 Cielo Drive in Los Angeles, CA (part of the Manson "family" murders), truly captured the essence of industrial metal's dark and disturbing sounds.
Saturday, December 15, 2012
On the Computer Revolution
On the Computer Revolution: In 1943, American physicist John Mauchly and electrical engineer John Eckert began working on ENIAC at the University of Pennsylvania. Funded by a grant from the U.S. Army, ENIAC was essentially a giant calculator. With 18,000 vacuum tubes and weighing approximately 30 tons, it became the first general purpose digital computer. Prior to ENIAC, however, punch cards were the primary method of collecting and sorting data. In fact, IBM pioneered punch card technologies in the early twentieth century. But what ultimately kicked the computer revolution into high gear was the transistor. Invented in 1948 at Bell Labs in New Jersey by William Shockley and others, the transistor was a semiconductor device designed to amplify and moderate electrical signals. It marked a significant upgrade from vacuum tubes and it even led to the integrated circuit, which contained large numbers of tiny transistors on a small chip. Invented in 1958 by Jack Kilby and Robert Noyce, the integrated circuit enabled computers to be smaller and more personal. That meant computers would one day be in the hands of individuals, not just corporate types and government officials. Counterculture thinker Stewart Brand saw the enormous potential of personal computing, as he wrote a famous article for Rolling Stone in 1972 ("Spacewar"), which basically predicted the coming of the internet. And capitalizing on this emerging need for digital self-expression was Apple co-founder Steve Jobs, who in 1976 realized that the personal computer market would be massive someday.
Saturday, December 1, 2012
On Early Industrial Unionism in America

Thursday, November 15, 2012
On Early Progressivism in America
On Early Progressivism in America: Progressivism, as a political ideology which developed at the turn of the twentieth century, contained both liberal and conservative elements. Aside from its formal connection to Theodore Roosevelt and the short-lived Progressive Party in the 1912 presidential election, progressivism can be defined as a political ideology of reform that intended to make American society more economically and politically fair. At times, however, there were a variety of unintended consequences which emanated from certain progressive reforms. For example, prohibiting the manufacture and sale of alcohol with the Eighteenth Amendment to the U.S. Constitution in 1920 gave rise to a massive black market controlled by mafiosos like Enoch Johnson and Al Capone. Such a reform, while deemed progressive at the time, was quite regressive in hindsight, as it instigated a high degree of violence. This regressive instinct was also present in the 1916 legislation that created the National Park Service (NPS), which like other environmental initiatives, was partly driven by an underlying elitism. What good were the aesthetics of NPS conservation lands for the urban working classes and underprivileged racial minorities who had limited opportunities to enjoy them?
Thursday, November 1, 2012
The Genius of Thomas Edison

Monday, October 15, 2012
D O U B T
D O U B T: When French philosopher René Descartes published Meditations on First Philosophy in 1641, he helped establish the rationalist ideology of foundationalism. As a distinct school of thought in Western metaphysics, foundationalism purported that all beliefs must be justified in order to be considered valid. And justification of a belief only occurred in two ways: first, by existing independently of other beliefs, i.e., a belief that falls outside the realm of existence, and second, by being derived from other preexisting basic beliefs. Perhaps the most famous basic belief that Descartes derived from his methodology of doubt was Cogito ergo sum or "I think, therefore, I am." As a self-evident axiom, this phrase effectively captured the true essence of Cartesian doubt, which by definition, meant ridding oneself of all the opinions that one had acquired over time and starting anew with a basic (foundational) belief system. Like Immanuel Kant, who came about 150 years later, Descartes primarily concerned himself with how human beings acquired knowledge (epistemology). Was it merely through sensory perception (sight, smell, sound, taste, and touch)? Or was there something more empirical to the knowledge acquisition process? In his Philosophical Fragmendts (1844), Kierkegaard criticized Descartes' Cogito as presupposing the logical idea of existence. In short, he believed the phrase should be reversed: "I am, therefore, I think."
Monday, October 1, 2012
Rachel Carson: Reacting to Experts
Rachel Carson: Reacting to Experts: Much to the American chemical industry's dismay, Carson published Silent Spring in 1962. Trained as a marine biologist, she voiced concern about the effects of DDT (and Dieldrin) on birds and fish (anything that laid eggs). Throughout the 1940s and 1950s, DDT and Dieldrin were widely used by American farmers as insecticides. They especially killed fire ants, gypsy moths, lice and mosquitoes (which carried diseases like typhus and malaria). In fact, these insecticides proved so effective that the United States Department of Agriculture (USDA) ("the experts") began large-scale aerial spraying programs over American farmlands. Carson believed the potential downsides (long-term consequences) of these insecticides had not been properly studied. Having worked for the U.S. Bureau of Fisheries, she witnessed the negative impact of DDT firsthand. And because birds and fish were turning up dead in areas that received aerial spraying, the Kennedy administration's Interior Secretary Stewart Udall began to pay serious attention to the controversy that Silent Spring had caused. But the mammalian toxicity of DDT was actually quite low, as its effects on humans were not overly noxious. The primary problem with DDT was its bio-accumulation, which meant it remained in the soil (and sat on crops as a residue). Therefore, Congress banned DDT in 1972, yet other insecticides with lower bio-accumulations simply replaced it.
Saturday, September 15, 2012
On James Baldwin's Artistic Confessions
On James Baldwin's Artistic Confessions: When Baldwin wrote "All art is a kind of confession, more or less oblique" in Esquire magazine in April 1960, he captured the essence of the artist's soul. But being black in mid-twentieth-century America certainly challenged Baldwin's artistic intellect. First, how was he to be taken seriously as an African-American writer? And second, did the United States even have a future purpose for African Americans? The last question, in particular, haunted Baldwin, as he could not envision an America where blacks achieved full democratic equality in the midst of a modern industrial society, i.e., affordable (suburban) homes, good (integrated) schools, middle-class jobs with fringe benefits, and access to public accommodations. In his 1963 essay collection The Fire Next Time, Baldwin offered his diagnosis of American race relations, which contained many elements of Du Boisian integrationism. He stated, "And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it." And although the prospects for racial integration were slim under Jim Crow, a black acceptance of whites (and their history) seemed the only plausible path toward equality. For most middle-class whites were still trapped in a history that they did not yet understand.
Saturday, September 1, 2012
On the Early Black Church

Wednesday, August 15, 2012
On Racial Slavery's Capitalistic Contradiction
On Racial Slavery's Capitalistic Contradiction: In 1965, historian Eugene D. Genovese published The Political Economy of Slavery, which uncovered a deep contradiction at the heart of American racial slavery. For the most part, this contradiction entailed the idea of racial slavery as a capitalistic institution. It contrasted the quasi-aristocratic, Southern slave-holding planter class with the emerging laissez-faire spirit of the industrializing American economy. The persistence of Southern slave ownership, which ran counter to liberating aspects (wage labor, cheap housing, etc.) of American industrialization, was central to antebellum conflicts between the North and South. And as Genovese stated, "The essential features of Southern particularity, as well as of Southern backwardness, can be traced [almost exclusively] to the relationship of master to slave." Such a relationship, with its paternalistic dependencies, inhibited the growth of a capitalist market where independent industrialists and merchants would have otherwise flourished. For if antebellum Southern "planters were losing their economic and political cold war with Northern capitalism," then it was the South's failure "to develop sufficient industry" that offered the most plausible explanation.
Wednesday, August 1, 2012
On the Early Black Press

Sunday, July 15, 2012
On the Atomic Bomb
On the Atomic Bomb: When FDR created the Office of Scientific Research and Development (OSRD) with Executive Order 8807 in 1941, he directed the U.S. government's resources at producing an atomic bomb. With calls from University of Chicago physicists (Enrico Fermi, Arthur Compton, etc.) in the late 1930s to investigate uranium-235 as a potential source of these bombs, the feasibility of producing a bomb according to the principles of nuclear fission became doable. Even designing an atomic bomb seemed relatively straightforward by the early 1940s, but separating U-235 from U-238 presented the biggest problem to physicists and chemical engineers alike. As an isotope, U-235 made up less than 1% of all naturally occurring uranium in the world (unlike U-238, which constituted 99%). On its own, U-235 was not sufficient enough to initiate a chain reaction, so it had to be enriched to at least 80% purity. The first man-made chain reaction with U-235 occurred on December 2, 1942, in a rackets court under the football field at the University of Chicago. There was no cooling system, no radiation shield, and millions of Chicagoans going about their daily routines above ground. With man-made nuclear fission reactions now possible, everything from nuclear bombs to nuclear medicine to nuclear power appeared in reach. Ultimately, through the process of gaseous diffusion, Robert Oppenheimer, Leslie Groves, and Crawford Greenewalt were able to place about a billion dollars worth of uranium into "Little Boy" (the bomb that leveled Hiroshima in August 1945).
Sunday, July 1, 2012
On the New Industrial Designers

Friday, June 15, 2012
World War I Reconsidered
World War I Reconsidered: Given Europe's entangling alliances, which developed prior to World War I (Triple Entente vs. Triple Alliance), the isolationist position from a U.S. foreign policy viewpoint was probably more peace-worthy (in the long run) than the interventionist one. If the United States had remained neutral, the prospects of a stalemate would have significantly increased. Under those circumstances, Germany could have potentially negotiated a peace treaty with the Triple Entente to take control of the fledgling Austro-Hungarian Empire, and thus, stabilize Central Europe in the process. In fact, prior to the war, Germany was seeking new colonial/foreign markets for its modernizing economy. And if Germany had the opportunity to secure viable economic markets, albeit through a negotiated stalemate (and a collapsing Austro-Hungary), World War II might never have occurred two decades later. Also, a deep examination of U.S. justifications for entering the war, especially the argument that German U-boats were severely disrupting international commerce, will ultimately push one to become skeptical of President Wilson's war aims, i.e., to make the world safe for democracy by fighting a war?
Friday, June 1, 2012
Pragmatism: An American Social Philosopy

Tuesday, May 15, 2012
On "Atlas Shrugged"
On "Atlas Shrugged": Oddly Nietzschean in its prescription for present-day morality, Ayn Rand's novel Atlas Shrugged (1957) contended that man's only moral obligation (in this life) was to rationality, and not to other people. And similar to Nietzsche, Rand's philosophy (objectivism) has been attacked as both anti-academic and literary, without any serious grounding in empirical thought. Regarding her philosophy, she stated, "My philosophy, in essence, is the concept of man as a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute." Of course, pragmatists like William James shouted "Damn all absolutes!," which itself was a kind of absolute. But like Nietzsche, Rand believed that it behooved man to focus on this life (as opposed to the afterlife), because modern industrial (democratic) society demanded a great deal of responsibility from man. With Christian morality being geared so heavily toward the afterlife, Nietzsche and Rand wondered if Western civilization could ever overcome itself and move beyond metaphysical thinking. In fact, John Galt (the protagonist of Atlas Shrugged) was essentially Rand's version of Nietzsche's "Overman" (Ăœbermensch).
Tuesday, May 1, 2012
On Jane Addams and Hull House

Sunday, April 15, 2012
On Lewis Mumford's Urban Theories
On Lewis Mumford's Urban Theories: For American urban theorist Lewis Mumford, human history has generally hinged on two opposing ideas, movement and settlement. While movement brought adventure, settlement brought security, and Mumford argued that cities have served as unique case studies for historians (and sociologists) who wish to examine these ideas in confined spaces. In 1961, he published The City in History, which sought to explicate how urban growth (through technology) has affected human culture over time, and thus, why movement and settlement ultimately define the human experience in cities. Perhaps Mumford captured the essence of a city best when he stated: "The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. The mind takes form in the city, and in turn, urban forms condition the mind." An ideal city, for Mumford, was one that struck a balance between nature and technology. In other words, a city that relied equally on its waterways and roadways for transporting goods, its parks and stadiums for entertaining and recreating residents, would invariably offer its planners the possibility for true organic growth.
Sunday, April 1, 2012
Twenty Pithy Philosophy Quotes

Thursday, March 15, 2012
McCarthyism and Television
Thursday, March 1, 2012
Railroads: America's First Big Businesses

Wednesday, February 15, 2012
John Brown and Anti-Slavery
John Brown and Anti-Slavery: Although the above video is largely unrelated to the antebellum history of John Brown the abolitionist, its anti-war message resonates powerfully. Bob Dylan's lyrical talents are unique, as he articulates poignant views on socio-political events in the form of folk poetry. Similarly, the story of radical abolitionist John Brown has undergone a kind of folk transformation. Beginning with his three-day raid on the federal arsenal at Harper's Ferry, (West) Virginia in October 1859, Brown epitomized the growing intensity of the American anti-slavery movement. The raid's main purpose was to acquire weapons (rifles and pikes) for African-American slaves in the surrounding communities. In fact, Brown believed the raid would be a quick stop followed by a strong push southward along the Appalachian Mountains. He also believed that hundreds of slaves would join. He was wrong. Before Harper's Ferry, however, Brown's interest in abolition had developed over many years. Having been inspired by notions of religious equality and anti-slavery, which emerged in the Second Great Awakening of the 1820s and 1830s, he wanted to be a Congregationalist minister and preach about abolition. But the 1837 murder of abolitionist Rev. Elijah P. Lovejoy pushed Brown to radicalize his anti-slavery views. And by 1854, Brown was ready to clash with pro-slavery forces in Bleeding Kansas, which served as a dress rehearsal for Harper's Ferry.
Wednesday, February 1, 2012
On the Poetry of Phillis Wheatley

Sunday, January 15, 2012
Kafka's "Metamorphosis" & "Judgment"
Kafka's "Metamorphosis" & "Judgment": Even though the above video refers to what is perhaps Franz Kafka's most famous short story, "The Metamorphosis" (Die Verwandlung), it's another one of his short stories, namely "The Judgment" (Das Urteil), which contains equally profound existentialist themes. Published in 1912, Kafka's "Judgment" embodies the modern psycho-social intricacies that tend to define the father-son relationship. A father's demands often weigh heavily on a son, and that is precisely what occurs in "The Judgment." Since Kafka was familiar with the writings of Nietzsche and Freud, he frequently incorporated a kind of existential psychology into his literary works. In "The Metamorphosis," for example, Kafka uses an absurdist approach to the problems of existential thought and primordial pain, as the story's protagonist, Gregor Samsa, attempts to cope with the morphing of his physical body into a bug. While in "The Judgment," Kafka conveys a personal reflection of the story's main character, Georg Bendemann, on his father's criticisms. These criticisms become so severe that Georg is no longer able internalize them. As a result, he commits suicide by leaping from one of the many bridges that span the Vltava River in Prague.
Sunday, January 1, 2012
On Salvation and the End of Time

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